Lucas Osborn, Professor


Professor Osborn teaches and writes in the area of Intellectual Property Law, with a focus on Patent Law. Professor Osborn serves as the Director of Campbell Law School’s Intellectual Property Law Program and has been quoted in the Wall Street Journal, Bloomberg News, and local publications. Before coming to Campbell, he served as an attorney in the Intellectual Property section of Fulbright & Jaworski in Houston, TX. At Fulbright, his practice focused on patent litigation, patent prosecution and intellectual property licensing. He is also licensed to practice in front of the U.S. Patent and Trademark office.

Copyright, Creativity, and Skill: Authorship and AI-Assisted Works

Copyright, Creativity, and Skill: Authorship and AI-Assisted Works

Intellectual Property Channeling for Digital Works

Intellectual Property Channeling for Digital Works

Trademarks and Digital Goods

Trademarks and Digital Goods

Trademark Boundaries and 3D Printing

Trademark Boundaries and 3D Printing

Reevaluating Intellectual Property Law in a 3D Printing Era.

Reevaluating Intellectual Property Law in a 3D Printing Era.

The Limits of Creativity in Copyright: Digital Manufacturing Files and Lockout Codes

The Limits of Creativity in Copyright: Digital Manufacturing Files and Lockout Codes

Doctrinal Quandaries with 3D Printing and Intellectual Property

Doctrinal Quandaries with 3D Printing and Intellectual Property

Digital Patent Infringement in an Era of 3D Printing

Digital Patent Infringement in an Era of 3D Printing

A Case for Weakening Patent Rights

A Case for Weakening Patent Rights

Ripple Effects in the Law: The Broadening Meaning of an "Offer to Sell" in Patent Law

Ripple Effects in the Law: The Broadening Meaning of an "Offer to Sell" in Patent Law

Regulating Three-Dimensional Printing: The Converging Worlds of Bits and Atoms

Regulating Three-Dimensional Printing: The Converging Worlds of Bits and Atoms

Of PhDs, Pirates and the Public: Three-Dimensional Printing Technology and the Arts

Of PhDs, Pirates and the Public: Three-Dimensional Printing Technology and the Arts